Four Ways Gigging Made Me a Better Worship Leader / Church Musician

One of my favorite quotes is in the movie Rocknrolla: 

There ain’t no school like the old school and I’m the #@$%@#$% headmaster.

When I started playing guitar, playing in church was not an option. Our church was a piano/organ place, and we only did acoustic guitar on a very, very rare occasion.

In fact, as crazy as this may seem, I never heard real electric guitar—not the heavily compressed, chorused, thin sound—in church until I was probably 30 years old.

So, musically, all my formative years weren’t spent in a youth band; they were spent in clubs.

This is what I think I learned:

  1. Be excellent, quickly.My first gigs were in a cover band. Two hundred dollars for a night (for the whole band). Two 60-90 minute sets. You were paid to be the entertainment. If you couldn’t grab the crowd’s attention, than you (a) were going to have a boring night and (b) weren’t going to be invited back. You had to get their attention, and then hold it. Probably the most extreme situations were when we’d play for a group of bikers; the pressure to entertain and “be cool” was definitely heightened. You had to be on your game.By contrast, church is mostly a captive audience. They’ll tolerate mistakes and give you second chances. However, just because the congregation lets you get away with a bad note doesn’t mean you should let yourself get away with it.
  2. Have your gear together. Even in the era of Guitar Center, you still couldn’t find a place to buy a cable at ten o’clock at night (maybe you still can’t). I remember driving 3 hours to a gig where the drummer forgot his hi hat stand. Outcome: gig with no hi hat. You had to double-check your stuff, and be prepared. Churches today come stocked with complete drum kits, miles of cabling, and usually a tuner (or 4) lying around. It’s nice to have a backup plan, but it’s also unprofessional to show up without a guitar strap. It assumes that someone will take care of you.
  3. Expect the worst. I remember playing a gig in this big wooden room that was essentially tuned to Ab. Every time we hit that note (which we did a lot, because we tuned 1/2 step down), the whole place would erupt with Ab feedback. It made for an interesting set. I also never knew that multiple monitor mixes were even possible until I was probably 25; my first 10 years of playing were spent learning to hear my voice—and the other instrumentalists—in one mix (that was usually too quiet).These days—if I can sound a bit crusty—a church is considered a bit lacking if the Aviom mix isn’t in stereo. Listening—and thus true interactive musicianship—isn’t based on the quality of your monitor mix; it’s based on the discipline of working to hear everyone on the stage, and to be aware of what they’re playing and how it impacts what you’re playing.
  4. God is everywhere. Though I wasn’t always firmly rooted spiritually, I learned that beautiful music can be made in the dirtiest places. On my final (probably) jaunt around the country, I was playing a gig in Lawrence, Kansas. The band I was in “gave in” to the crowd and played a (somewhat ironic) version of “Freebird.” As I played that ridiculous slide part, I practically heard God speak to me, “Do not think for one minute that I’m not hear in this bar. Do not think that you cannot send these notes to Me as worship—as thanks—right here in this moment and in this place. I am here.” 

    Though the church as a body is sacred and essential, God is also everywhere. When you only play music on Sunday morning, or only for your youth group, it’s easy to fall prey to the idea that God is only in the church, or that He is only “listening” to corporate worship music (that is often too safe). Playing music in so many environments helped me understand that God is out there, always moving, sometimes even moreso than what we see on Sunday.

Anyway, that’s it. I’m old school, but I think we do well to make sure our church musicians are seasoned and prepared, and have as wide a view as possible of God’s activity in the world.

Sermon Thoughts from This Morning

For any interested, here are the lyrics to “Trapped” by Jimmy Cliff (via Bruce Springsteen), that I referenced this morning.

Well it seems like I’m caught up in your trap again

And it seems like I’ll be wearing the same old chains

Good will conquer evil, and the truth will set you free

And I know someday I’ll find a key

Yeah I know somewhere I’ll find a key

Well it seems like I’ve been playing your game way too long

And it seems the game I’ve played has made you strong

But when the game is over, I walk out  a loser

And I know someday I’ll walk out of here again

Someway I’ll walk out of here again

But now I’m trapped…

Well it seems like I’ve been sleeping in your bed too long

And it seems like you’ve been meaning to do me harm

But I’ll teach my eyes to see beyond these walls in front of me

And someday I’ll walk out of here again

Someday I’ll walk out of here again

But now I’m trapped…

<take it away, Clarence “Big Man” Clemmons>

Well it seems like I’ve been playing your game way too long

And it seems the game I’ve played has made you strong

Cuz now I’m trapped…

Life in the Wilderness

After God leads Israel to freedom and gives them an identity and a foundational constitution, they spend a long time in the wilderness, wandering around and preparing to enter the land of Canaan, God’s promise to them.

I resonate pretty deeply with this story, at least in part because I feel like it has represented my own journey in at least a few different seasons in my life. Essentially, God’s people are called to wait and to be patient and to grow before they enter into a new season of existence and mission in the world.

I’ll be honest: mostly it sucks. Israel bears witness to this in how much complaining they do; I have born witness to this in, well, how much complaining I do. (I’m working on this, I promise.)

But here’s the deal: the Wilderness is a reality of life, and what’s more it’s necessary. 

So here are a few humble thoughts on it.

How do you know you are in the Wilderness?

  • The maps don’t make sense anymore. Israel doesn’t follow a direct route through the Wilderness to Canaan. They wander around in circles. The Wilderness can feel like that to us: circles, indirect wanderings. In fact, sometimes we realize that the Wilderness is so wild that there are no maps whatsoever to guide our journey.
  • The story doesn’t make sense anymore. When Israel leaves Egypt, they are leaving a well-defined story: YOU ARE SLAVES. It’s not a pleasant story, but it was familiar. The Wilderness is about turning slaves into children, and this is no small thing. Nothing feels right, or feels like it fits. We may have felt like we were on a certain career track, but something no longer resonates. We may have identified ourselves with a certain lifestyle, but something seems odd about it now.(Note: at this point it’s always tempting to go back to Egypt. This is mostly a bad idea.)

Here are some ways to engage the Wilderness:

  • Avoid nihilism. The most tempting—but most dangerous—thinking while you are wandering is, “My life is over; nothing matters anymore.” Once you give up on a promise of the future, anything is an option. The Wilderness won’t last forever. There is always a promise.
  • Find different ways to move forward. In the Wilderness, the ultimate promise—”the land”, the job, the relationship, the career, etc.—may be months or even years away. It’s easy to give up hope. Despair sets in when we feel like we are walking in circles or not moving at all. What we can do in the meantime is to simply engage in smaller goals. I imagine walking around the middle east it might be, “Hey let’s just see if we can get to that rock!” or “Let’s put the tent up differently today…” (ugh?)The point is to try and find some way to feel like you are moving forward. Can you set a physical goal? Can you try to read some new books? To grow intellectually? Keep moving.
  • Engage with God. Ultimately, the whole point of the Wilderness is to be prepared for what’s next. While you are wandering, engage with God. Wrestle with Him. Pour out your heart—restless though it might be—and be honest.

If you’re not already there, the Wilderness is coming. It comes for all of us; in fact, I might even say it is a defining characteristic of God’s people. We are, after all, pilgrims who are on the move. So don’t be surprised if you find yourself in a place where the maps don’t make sense, and where you feel detached and disconnected from the story you are living in.

Just don’t disengage, and make good use of the time.

Lenny (with SLASH!)?

THE Prayer, Part 7 :: Times of Trial

Our Father, who lives in the heavens,
May Your name be kept holy.
May Your Kingdom come,
May Your will be done,
On earth just like it’s done in Your presence.

Give us this day our daily bread
And forgive our sins
As we forgive those who sin against us.
Don’t bring us to the times of trial,
But deliver us from the evil one.
Amen.

Following Jesus is not an invitation to pretend that the world is wonderful and perfect, and that nothing bad will ever happen to you again. Headlines sing a loud song to this illusion. Neither is following Jesus an excuse to believe that the whole world is going to hell in a handbasket, and so our main task is to be patient and wait until we die and go and meet Jesus somewhere in the sky.

The truth is somewhere in the middle, and it’s also hinted at by this line in the prayer.

It’s not strange that Jesus would leave us these words, because he knew “times of trial” intimately. Consider:

  • Though we don’t know when exactly, we know that Jesus’ earthly father, Joseph is out of the story fairly quickly. The assumption is that he has died, leaving Mary and her children at risk socially and economically. He wasn’t one of the “insiders”.
  • His ministry begins with 40 days in the desert, culminating with a confrontation/temptation with Satan.
  • He experiences constant surveillance and opposition from the religious authorities in Judea.
  • His ministry was marked by a constant confrontation with evil spirits.
  • His closest disciples and inner circle consistently misunderstand him.

Jesus knows what the times of trial look like and feel like.

They are the times when we are most susceptible to doubt, to fear, the times when we’re most tempted to give up, to surrender.

To be faced with a trial is to be faced with the temptation to fall, to fail. To pray that we aren’t brought to the “times of trial” is to implicitly acknowledge that they exist, but not necessarily to allow our lives to be governed by them. In the face of the difficulties that Jesus faced, he went about his ministry fully and faithfully, even in Gethsemane when the trials began to be backed by Roman fists and clubs, whips and swords.

If you find yourself in difficulties, understand that Jesus knows all too well what it feels like. He is there with you, and he knows what it feels like. 

Ironically, Jesus ultimately confronts the times of trial not with glamourous victory but with blood, sweat, peace and eventually the cross… but that’s for another post.

What about you? What does it mean to pray, “don’t bring us to the times of trial” (or more traditionally, “lead us not into temptation.”?

Just This…

Hey everyone…

Nothing from me today, but I wanted to encourage you all to go check out Dave Gwartney’s new ebook.

Dave is a good friend and gifted thinker and teacher; do yourself a favor and check out Ten Essential Words. 

Peace

eric

Worship “Satisfaction”

I read this post last week…

At first—because I’m slightly neurotic—I was really convicted by it, if for no other reason than I, um, often play guitar solos during worship songs.

Forgive me.

But the more I read it, I actually got a little tweaked (full disclosure: if it’s not obvious already, I’m a worship pastor, so as my southern friends would say, I have at least a few “dogs in this hunt”).

As usual, I think of reality more in terms of a tension to be lived in, between the truth of what Bill says and another perspective.

Here are some thoughts from another perspective. Warning: possible frumpiness to follow.

  • I love me some hymns. Love ’em. Believe in them. But the church I serve in is not a hymn-heavy church. We do 3 or 4 a month. There are hymn-heavy churches in town, however, and there are also churches who worship through liturgy, through silence, through choirs.The point is practically all of our churches exist in the flow of a tradition, and this is a good thing. My non-denominational, evangelical church is not going to become high church Anglican. We will not become full gospel AME. While we do our best to learn from other traditions and to give people a wide(r) glimpse of the church, I think that when we constantly question our own tradition we cultivate a sort of eccesiological multiple personality disorder.

    I think there’s a certain amount of wisdom to looking at your church tradition and culture and acknowledging the truth of where it’s been and what it is. Now culture isn’t frozen; we are meant to grow and change, but God created culture. It is a gift, at least a partial recognition that humanity is so diverse. There’s no point in freezing or elevating one form of worship culture and saying, this is what we need to do. 

  • Sometimes, worship participation is simply a matter of discipleship, of the heart.There I said it.

    Now, I realize that I may need to cut my guitar solos short. I accept that chastisement. But I think responsibility needs to be spread evenly. If an individual isn’t willing to sing, “Holy is the Lord,” then I really can’t make them. Ultimately, I am not the worship leader, the Holy Spirit is, and if a person is unwilling to follow the Spirit to God, then so be it. It’s a reality of my call, but I accept it.

    A word about “seekers” (whoever they are): I once heard Erwin McManus say, “if your church doesn’t have problems of heresy and immorality, than you’re probably not missional enough.”

    If we are engaging the world, there will be a certain percentage of people who simply “aren’t there yet.” As I just mentioned, I acknowledge that’s a reality of my job. There will be people in our gathering space who actually don’t have a clue who Jesus is, much less what worship is, and I need to respect their journey.

    But for those of us who are “in the know,” I think there comes a time when we have to simply say, “I’m here to meet with God; I will open my mouth and worship—not only to remind myself of who He is and what He has done, but so that I can be an example to other folks who are at a different part of their journey.” My church is primarily young people: young(ish) families and some post-college and college kids. But we have some older folks as well. One day, an older gentleman (in his 70s) said to me, “You know, I really don’t like the music at all. But God is at work here, so I’m just happy to be here and be a part of something.”

  • Which leads me to my last point…It’s not about you.

    I once led worship in a multi-cultural, multi-ethnic church; our Sunday set lists included modern gospel, songs in spanish, rock stuff (and an occasional hymn lol). Our pastor once said, “Hey guess what you guys: no one here is going to be completely satisfied with worship. THAT’S NOT THE POINT. We don’t come here to just get. We come here to give.” Because that church was clearly diverse, it was easy to grasp the idea that we all need to give up something to worship cross-culturally, but I think the principal holds true for us in mono-cultural worship settings as well:

    worship is first for God, then for us. Worship often overflows into love back from Him to us, but that’s not the point.

    We worship first because of who He is and what He has done for us, not because of what we may get out of it right now.

When I have the rare opportunity to sit under someone else’s leadership, I have the same feelings:

  • “Man, I don’t like this song…”
  • “She’s repeating that chorus too many times…”
  • “The mix is HORRIBLE…”
  • “He’s going to kick that water bottle over…”

In other words, I’m not immune. But I remind myself in those times that this moment is what I’ve been given, and it’s up to me to direct my heart, soul, mind, and strength towards my Creator and Savior.

It’s my choice.

In closing, I’d say this: you don’t sing at my church because you don’t want to sing at my church. It’s really that simple. In a sense that’s okay. And also, I hear the corrections—I don’t want to be a rock star worship leader—and I realize that we need to create an environment that facilitates people meeting with God and tells the story of our faith.

But it’s never gonna be perfect.

Take it away, Mick…

A Disruptive Gospel

I stumbled across this video this week.

Though that instrument is undeniably weird (and cool), a couple ideas sprang into my mind.

“Random” isn’t really random. The proprietors of the festival proclaim that the attenders had just witnessed a “random act of culture”, but it actually was only random for those who didn’t know that “art” was about to happen. For those “on the inside”, the act was actually intentional and really well thought out. Wu Tong is wearing a mic. The audio guys needed to know when he was going to play. There had to be some sort of signal for him to come in. A few people really knew what was going on.

What it you substituted the word “gospel” for “art”?Do that, and you have a very interesting idea. Great art disrupts people’s lives; it interrupts the “flow” of the world. It makes people sit up and take notice. In fact, in some instances art can change the world forever. Shouldn’t the gospel be just as disruptive (in a good way, of course)? Couldn’t the gospel make us sit up and take notice, and change our world forever?

To disrupt the world—to get the word’s attention—you need more than “random acts” of art (or gospel). You actually need “artists” who are willing to plan and execute an interruption in a very intentional, strategic way. If the gospel is the ultimate culture-disruption, what are you planning? How can you get the world’s attention in an intentional, compelling way?

Quick Thoughts on Blue Like Jazz

from bluelikejazzthemovie.com

Tonight, my church sponsored a showing of Blue Like Jazz. Amazon describes the book this way:

In Donald Miller’s early years, he was vaguely familiar with a distant God. But when he came to know Jesus Christ, he pursued the Christian life with great zeal. Within a few years he had a successful ministry that ultimately left him feeling empty, burned out, and, once again, far away from God. In this intimate, soul-searching account, Miller describes his remarkable journey back to a culturally relevant, infinitely loving God.

For anyone wondering if the Christian faith is still relevant in a postmodern culture.

For anyone thirsting for a genuine encounter with a God who is real.

For anyone yearning for a renewed sense of passion in  life.

Blue Like Jazz is a fresh and original perspective on life, love, and redemption.

The movie was really well-done, but to be honest, the book never held the power for me that it had for others (I have my suspicions why, but I’ll keep those to myself for now).

As Miller re-embraces his faith, a few things struck me as important in his (and maybe your) journey:

  • Be wary of overly-neat categories. As Miller enrolls in Reed college, his mother is aware (and obviously terrified) that he is “leaving the tribe.” But the catch is that oftentimes the tribe has become the problem. Though God’s tool on earth is the church, we need to be careful about so identifying the church with God that we come to believe anything outside of the confines of our local faith communities is outside of God’s activity. As Jacob discovered, you can find God in the most unexpected places. Some of the places I’ve see His hand at work include: Elbow (the band), Andrew Goldsworthy, Flannery O’Connor, and my family.
  • Embrace people as, well, people. In the movie, Miller hides his faith from his friends at Reed, and actually comes to almost reject it. Though this caused its share of problems, the gift that it gave him (and can give us) is time, and also the ability to get to know people as human beings (that, incidentally, God created), and not evangelism projects or (even worse), “pagans” who aren’t worth are time, or love. He just comes to accept them as people who are as loving—and as broken—as he is.
  • Lastly, I was struck with how willing the characters are in the movie to simply be themselves. There is a temptation to believe that, as believers, we can only be part of who we are; that God doesn’t love the darker, doubting parts of us. That’s simply not true. God desires fully integrated, holistically loving human beings. The greatest gift we can give God and the world that He loves is a life that is fully owned, fully inhabited, and in the process of being redeemed and healed.

Good movie. Go see it.

Wonder, Craft, and My Secret Love of Electronica

I’ve been really blessed this week to see and hangout with some really gifted artists like DJ Promote and Propaganda, a really great hip hop artist. Tuesday night DJ Promote was doing a set before a big rock band played, and the kids were just going crazy. Propaganda was talking to me and another guy and said, “You know, I’ve been all around the world with this guy (the DJ), and no matter where he goes, within ten minutes the room is just going crazy. He always wins.”

I replied, “I think I know why; it’s because I can feel the joy in his mixing. I can sense the emotion behind what he does.”

Ever met someone who somehow was giving and generous the moment they shook your hand?

I’d met Promote backstage before I even knew what he did, and even then he was gushing with joy and wonder.

Ever felt blessed by just being introduced to someone? You don’t even know how it worked, but you turned away and felt richer and better for just having said “Hello” to them?

That’s the way it was with both Promote and Propaganda. (He did some spoken word stuff that was just so legit, it was amazing.)

Though I have no doubt that they both put in their “10,000 hours”, the thing that set them both apart was the joy and wonder that they put into their art.

Have you ever considered the fact that joy and wonder can be translated by technology? That emotion comes through bits and bytes, electricity and wires? I have not idea how it’s even possible, but I am blown away that repeatedly this is the case. You can hear it. You can feel it.

Great art is, in fact, a gift, but the gift that’s being given in these cases are emotional and spiritual, not merely musical. It transcends craft.

… I would almost venture to say that joy precedes craft.

Keeping in mind that “our art” may involve the crafting of our gospel-shaped lives, or a specific artistic endeavor; remembering that “calling” exists at the intersection of our deepest needs and the world’s deepest joy…

What kind of joy are you putting into your art today? What wonder are you bringing to your calling?

In the meantime… enjoy some great mixing and spoken word.

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Guest Blogger :: “creativity is spirituality is creativity is spirituality is creativity (and other run-on sentences)”

This week I’m playing guitar with some friends at a youth conference, so I’ve asked a friend to write a piece regarding creativity and spirituality. 

David is a “slash guy”, meaning: singer/songwriter/guitar player/Jesus follower/creative guy. He is a dear friend and one of the best people that I know. Please follow him, and buy, lots, and lots of music from him.

But enough from me… Dave?

——————————————–

confession time: i’m a creative type (whatever that means). it’s likely that the handful of  stereotypes that just went through your head are true about me. it’s a fact that i don’t have what we’d call “a steady job.” it’s been scientifically verified that i’m running no less than 30 minutes behind schedule precisely 97% of the time. you’ll find (over the course of reading this blog post, maybe) that i most certainly lack the tools to maintain a linear conversation. it’s all true. and even though it greatly resembles chaos, i’ve found myself thriving in it.

i’m of the belief that creativity isn’t a state of mind, but more a state of being. in other words, it’s not the way in which i’ve been made as much as it’s the way i’ve made my life work: in choosing to allow as much room as possible for that unpredictable and mysterious friend called inspiration–a friend who almost always shows up unannounced, at the most inconvenient times. the only predictable thing about inspiration, as far as i can tell, is that, if one gets comfortable ignoring it, it’ll return the favor by showing up less frequently until infrequently becomes not at all.

the main outlet of creativity for me these days is writing songs. in this pursuit, i’ve learned to make sure inspiration feels welcome at all times, which means i’m regularly waking up in the middle of the night to hum a melody into my iphone or sketch a design for the next album cover (two examples from this week). making inspiration feel welcome also means i may pull over on my way to an appointment because, while en route, a journal-worthy idea finds me, resulting in an inspired me showing up late to get his teeth cleaned.

it’s certainly not more convenient to be a creative type. i’ll even admit that, at times, it borders on inconsideracy to those around me–especially my wife (sorry, hon). and it’s not the road to stability, that’s for sure. that’s why every poet has parents telling them to get a business degree to fall back on. okay. truth be told, a creative life, in and of itself, is at best a foolish pursuit, and more often just a huge narcissistic “look-at-me”  spectacle… but what if a creative life is necessarily bundled with eternity? wouldn’t that make it all worth while?

(aaaand the point…)

creativity has been the entry point to my life’s most spiritual and holy moments. i think that’s because God, who in just being, poured out the very idea of creativity and lavished it on His masterpiece (that’s you and me, friends). He’s waiting to meet us through beauty that doesn’t exist yet–at least not until we breathe life into it. God, who spoke the word, “sunset” and saw that it was good, reflects His magnificent beauty in each of us (regardless of whether we credit Him or not, i believe) whenever we choose to imitate that characteristic to make something beautiful out of a blank canvas or an empty stage or wood and strings or an adobe program or some spices and a particular cut of meat or…. (and the list goes on).

so, you wanna meet with God? create something beautiful. wanna worship God? notice and give credit to beauty’s inventor. wanna make space for that? allow yourself to be late to a meeting every now and again because you didn’t dismiss inspiration when it found you.

david greco is not a licensed blogger. he doesn’t even really read any blogs. wait. does 30 rock count as a blog? well, he doesn’t technically read that anyway. he just watches. mindlessly watches.

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