My 2017: The Music

Call it a function of getting older, or a function of just being in a new role that isn’t so musically focused, but either way I don’t listen to quite as much music as I used to. What’s more, there is simply so much music out there that it’s quite overwhelming to find and connect with quality work.

So this list is shorter, but either way, here it is (by the way, also because I’m older, I tend to still process music in “record” formats, so I always end up focusing on full-length records over singles).

Plastic Soul (Mondo Cozmo). I wrote about “Shine,” a track off of this record. If you like 1990s Brit Pop, with a slightly psychedelic/groove influence (think Primal Scream and The Verve), you’re gonna dig this record.

Who Built the Moon? (Noel Gallagher). I was driving back from Virginia when I remembered that Noel Gallagher had released a new record, and dialed it up. My first reaction was that Noel had finally put Oasis to bed. The first 6 tracks of this are just stellar, particularly if you like feel-good, jammy, R&B influenced British stuff (think The Jam and Stone Roses). This stuff makes me dance around my office or house. (And that’s saying something.)

Bjéar (Bjéar). I can’t even remember how I stumbled across this record, but I do know that it happened in winter, which is absolutely the perfect setting for these songs. I became an instant evangelist, and to my ears it sounds like a slightly more earthy version of Sigur Ros: great soundscapes, evocative, and a definite universe to dwell in. (P.S. he sings in English.)

Carry Fire (Robert Plant). Robert Plant just seems to be the embodiment of how to be a “Golden God” and yet age somewhat gracefully as an artist. I find these records full of subtlety and dynamics. I still want to hear Daniel Lanois produce a record for him.

A Deeper Understanding (War on Drugs). This band (really one guy, but who’s counting) renewed my faith in the future of electric guitar in indie rock. The record is full of great guitar tones, but from a decidedly different place from blues/rock. I hear echoes of Springsteen, Dire Straits, and other artists that were huge in the 80s, but filtered through a 21st century sensibility.

After All(,) This (Eric Case). Unbelievably, I released a record this year. I say unbelievably only because this was one of the busiest years of my vocational life, and yet around January I sensed a call to commit to bringing some creative work into the world. You can find the tracks on my BandCamp site  (pay what you’d like), but in 2018 I’ll be moving all my stuff—including Maida Vale tracks—to iTunes (and Spotify).

I suppose it’s notable for what and who is not on this list. I had high hopes for Arcade Fire and The National, but both of those records left me empty, dry, and pretty uninterested. It’s like they were too self-conscious.

LCD Soundsystem’s release was better, but I still have baggage from their “Hey-we’re-leaving-and-all-done-and-here’s-an-emotional-farewell-concert-documentary-but-wait-let’s-get-back-together-instead” move.

U2. All I can say is that I expected the record to be awful, but it wasn’t.

Check out a short Spotify list of songs from these records here.

 

 

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